The Forests of Yen-dor
All the arms rising up like trunks to get and record a better view of the concert, made me think of ALL those trees on Endor. I admit I’m a Williams’ junkie streaming music from Star Wars, Jurassic Park, and Potter while I do other things. Now I wish I could still do cons…
Take one part action, one part angst, one part plot, when mixed well fill to line with character… Simmer
Warning: August burners may overheat and produce high unsellable output under RL stress.
“We’re a green company that…”
Oh, is that your ace card to get me to stay on the line for your spam call? You don’t want to rely on the reputation of your product or company to make this worth my time? You think the magic word ‘green‘ will turn off my brain and open my wallet? Does ‘green’ really mean anything significant, or do you just recycle your office cans? How does this magic word make your middleman charity be more effective or make the knee brace help my mother walk better? Are you really generating electricity from wind turbines, or buying from coal facilities and still charging the higher clean rate? What makes you think my insurance that you’re sure you can charge, hasn’t already offered the same service? Just tell me what you’re selling up front and stop wasting everybody’s time. [click]
It’s not like these telemarketing solicitations give the name of their product or a specific company. I mean if it was a call from my favorite book store telling me that the new Bujold cook came in, I would be glad to hear that spiel. (That would be an impressive trick as my favorite bookstore went belly-up a few years ago) Marketers don’t want to identify the seller or product or leave their script even when asked. They will say anything to keep you, and they’ve burnt us several times.
Really, the arrogance of these to think I want to hang around listening to them babble a script or recording when I have important nails to file, puppies to entertain, and books to read.
“Since brevity is the soul of wit / And tediousness the limbs and outward flourishes, I will be brief…” Polonius, Shakespeare
I read a number of blogs, some professional, some philosophical, and some web strips. For some, the regular commentators have very good things to say. Others get muddled and run on and on circling but never getting to the point. (We’ll leave the nutty out. And wise-ass usually keep it brief) But I find that few opinion essays longer than maybe three paragraphs need to have compelling writing and direction to keep my attention.
That means I try to write the kinds of things I would want to read.
I started out reading and admiring Robert Heinlein, who said he wrote his first draft and recommended cutting away 20%. It took me months of my fanfic time to realize that wasn’t a good rule of thumb for me. My tendency under that rule was to be so concise that I only hinted at things. I didn’t want to over explain things as that insults the reader. I didn’t explain enough. Oh, my sentences and grammar were okay, but I left out too many descriptions too often. I don’t want my mystery or problem’s solution to be obvious, but the clues must be present. I want to play fair. So, to prevent saying too much, I said too little.
I still struggle with that in my fiction, but instead of cutting 20%, I usually add about 30% for descriptions, feelings, and showing things explicitly. In essays or comments, I try not to ramble. The old showbiz adage to always leave them wanting more applies outside showbiz too. You can’t convince anyone if you bore them.
Success! I managed to catch up with one of my major writing goals for last month, I finished my fourth collection. I’m really glad because this collection includes my gothic mystery. The movie Alien combined SF and a gothic Cthulhu menace, but less helpless and free of agency.
Now that it’s October, I need to kick into high gear to prep for NaNo. I want to have a cushion if finished stories, so I can still publish collections for both October and November. My ideas for my NaNo book this year feel to insubstantial to sustain 50k words. Also, I’m starting to regret that I have an unfinished fanfic and readers who deserve an ending after my dawdling…
We’re not even going to think about holiday prep for a week.
Necklace of Citrine collection
Any hard won victory can still be lost. Any future denied if foresight is flawed.
On a tiny research station, a poor orphan gets a place as apprentice, but when she arrives she learns that her mentor supposedly committed suicide from space madness. Which secrets are worth a life? In another tale, powerful senator in a cruel empire plans against his brother, who may be his nemesis and death.
Wanting and hard work may not be enough when there are dangerous secrets in these tales of empty wastes and poisonous double dealing.
Necklace of Lapis collection
Necklace of Amber
Necklace of Garnet
I’ve been working on finishing my third collection of short fiction. I’m proud of this one, as it includes some tales I’m particularly fond of. One has been kicking around in revision all year. This time I’ve included more fantasy that is a little darker, and my next collection will have more SF.
Necklace of Lapis collection
Edge of Change and Ruin
Sometimes the world turns a little darker than before, leaving a hunter chasing dread hounds through the night, through blood and death and places never seen. A young woman discovers that some tyrants are more benevolent than others that provide pretty ribbons. A dark fey flees the slaughter of her family, but she lacks the magical power of her people for her vengeance.
In these tales, lofty plans do not always lead to wealth and world power, they may only lead to ruin.
Necklace of Amber
Necklace of Garnet
Dialogue is usually one of my favorite parts of writing. Like many writers, I have to make a special effort to include enough exposition that my readers get my world, but resisting infodumps from world-building. Dialogue is about showing character and moving things along.
I love changing hats for the characters in a story. I know when I have a good handle on a character when their words flow out of their point of view and goals. Sometimes that character’s hat gets so strong and solid, that they start commenting on things in real life. I’m never quite sure if that’s an encouraging sign to have that rich a characterization, or if that is a different kind of problem.
A fun thing is ‘writing’ dialogue for your dogs. You can see what they’re feeling, especially with the puppy who still hasn’t learned their limits:
- ‘But daddy, you’re done with that napkin. Why can’t I have it? I will just suck on it. I’ll shred it later.’
- ‘First you tell me to speak and you talk Scooby at me, and then want me to shut up?’
- (after licking older dog’s face) Hmm, those crumbs taste good. I will make sure you’re clean so you can get unimpeded smells… of my butt.’ (This is not unrelated to the older and smaller dog making the younger one yip when they won’t stop X behavior: stealing food, trying to steal napping dog’s chair, blocking access to a person)
- ‘Oooh, that bacon smells SO good! I don’t care that I can’t digest pork. I will be really good. please, please, PLEASE!’
- ‘Why is this bed so crowded? That’s fine, you can get off.’
- ‘Why can’t we wrestle and charge around the house at 3am? You don’t want to play?’